ra-155top-4.htm
from: Online Sanskrit Dictionary, February 12, 2003 . http://sanskritdocuments.org/dict/dictall.pdf 090907
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SED-semivow-r6-indx.htm
{ra.}
र 
{rak~} रक् - conjunct included 
{ric~} रच्
{riρ~} रञ् = र ञ ्
{ra.ta.} रत
{rϋt~}
रत् 
{ra.ώa.} रस
{rϋώ~} रस् : when this is spelled with English digraph <th>,
it would appear as {rϋth~} which could be confused with <Ruth>.
{ra.ha.}
रह 
{rak~Sa}
र क ् ष ा -->
{rak~hka}
?
UKT notes
Bilu
Ragu
rangoli - Indian decorative folk art
€ रोमाञ्च
= र ो म ा ञ ् च
Skt: रोमाञ्च
= र ो म ा ञ ् च
romaaJca - m. goose bumps - SpkSkt
{ra.} र
रंगावलू (ra.ngaavalii)
Skt: रंगावलू
(ra.ngaavalii) - (f) spectrum, colored design - OnlineSktDict
रंज् (ra.nj..hh)
Skt: रंज्
(ra.nj..hh) - to entertain - OnlineSktDict
{rak~} रक् UKT: I was looking at the problem of "killed k" followed by the sibilant
{Sa.} which would generate {kSa.} . I am now convinced that Pal-Myan {hka.} can be either Sanskrit {kSa.} or {kha.}. However, this question will be settled only after integrating Pal-Myan and Skt-Dev. -- UKT120104
रक्त (rakta)
= रक् त
Skt: रक्त (rakta) - red
- OnlineSktDict
रक्तं (raktaM)
Skt:
रक्तं
(raktaM) - the red one (raktaM may mean blood also)
- OnlineSktDict
रक्तः (raktaH)
Skt: रक्तः
(raktaH) - attached - OnlineSktDict
रक्तगंध
(raktaga.ndha)
Skt: रक्तगंध
(raktaga.ndha) - red scent - OnlineSktDict
रक्तपुस्ष्पैः
(raktapusshhpaiH)
Skt:
रक्तपुस्ष्पैः
(raktapusshhpaiH) - with red flowers - OnlineSktDict
रक्तरज्न्जित
(raktara.JNjita)
Skt:
रक्तरज्न्जित
(raktara.JNjita) - bloody - OnlineSktDict
रक्तवाससम्
(raktavaasasam.h)
Skt:
रक्तवाससम्
(raktavaasasam.h) - having red dress - OnlineSktDict
रक्तहीन
(raktahiina)
Skt: रक्तहीन
(raktahiina) - bloodless - OnlineSktDict
रघुकुलतिलकं
(raghukulatilakaM).
Skt:
रघुकुलतिलकं
(raghukulatilakaM) - the mark (e.g one on the
forehead) of the Raghu family - OnlineSktDict
See my notes on Raghu .
रघुत्तमः
(raghuttamaH)
Skt: रघुत्तमः
(raghuttamaH) - best of the Raghu race - OnlineSktDict
रघुनंदन
(raghuna.ndana)
Skt:
रघुनंदन
(raghuna.ndana) - the delighter of the Raghus - OnlineSktDict
रघुनन्दन
(raghunandana)
Skt:
रघुनन्दन
(raghunandana) - Rama - OnlineSktDict
रघुनाथस्य
(raghunaathasya)
Skt:
रघुनाथस्य
(raghunaathasya) - lord of the Raghu's (rAma descended
from the famous - OnlineSktDict
रघुनाथाय
(raghunaathaaya)
Skt:
रघुनाथाय
(raghunaathaaya) - to the lord of Raghus - OnlineSktDict
रघुवंशनाथम्
(raghuva.nshanaatham.h)
Skt:
रघुवंशनाथम्
(raghuva.nshanaatham.h) - the lord of the
Raghu family - OnlineSktDict
रघुवरं
(raghuvaraM)
Skt: रघुवरं
(raghuvaraM) - the chosen Raghu - OnlineSktDict
रघूत्तमः
(raghuuttamaH)
Skt:
रघूत्तमः
(raghuuttamaH) - the best of the ragus (raghu-desendants) - OnlineSktDict
रघूत्तमौ
(raghuuttamau)
Skt:
रघूत्तमौ
(raghuuttamau) - the best two of the Raghu race - OnlineSktDict
रङ्गवल्लि
(ra.ngavalli)
Skt:
रङ्गवल्लि
(ra.ngavalli) - (f) rangoli - OnlineSktDict
See my note on rangoli - Indian decorative folk art
{ric~} रच्
रच् (rach.h)
Skt: रच्
(rach.h) - to form - OnlineSktDict
रचना (rachanaa)
Skt: रचना
(rachanaa) - structure, construction - OnlineSktDict
रचना (rachanaa)
Skt: रचना
(rachanaa) - construction, arrangement - OnlineSktDict
रचना (rachanaa)
Skt: रचना (rachanaa)
- construction, arrangement - OnlineSktDict
रचनात्मक
(rachanaatmaka)
Skt:
रचनात्मक
(rachanaatmaka) - constructional, polyschematic - OnlineSktDict
रचयति (rachayati)
Skt: रचयति
(rachayati) - (10 up ) to arrange - OnlineSktDict
रजः (rajaH)
Skt: रजः
(rajaH) - the mode of passion - OnlineSktDict
रजकः (rajakaH)
Skt: रजकः
(rajakaH) - (m) washerman, dhobi - OnlineSktDict
रजनि (rajani)
Skt: रजनि
(rajani) - night - OnlineSktDict
रजनी (rajanii)
Skt: रजनी
(rajanii) - night - OnlineSktDict
रजनीचर
(rajaniichara)
Skt: रजनीचर
(rajaniichara) - moon, demon - OnlineSktDict
रजस (rajasa)
Skt: रजस (rajasa) - mobility - OnlineSktDict
रजसः (rajasaH)
Skt: रजसः
(rajasaH) - from the mode of passion - OnlineSktDict
रजसि (rajasi)
Skt: रजसि (rajasi) - of the mode of passion -
OnlineSktDict
रजोगुण (rajoguNa)
Skt: रजोगुण
(rajoguNa) - the mode of passion - OnlineSktDict
रज्जु (rajju)
Skt: रज्जु
(rajju) - f. rope, straight line - OnlineSktDict
रज्जुः (rajjuH)
Skt: रज्जुः
(rajjuH) - m. rope - OnlineSktDict
{riρ~}
रञ् = र ञ ्
रञ्जन
(raJNjana)
रञ्जन
= र ञ ् ज न
Skt: रज्न्जन
(raJNjana) - entertainment, delight - OnlineSktDict
रञ्जना
(raJNjanaa) रञ्जना
= र ञ ् ज न ा
Skt: रज्न्जना
(raJNjanaa) - (f) a giver of delight - OnlineSktDict
रण (raNa)
Skt: रण (raNa) - battle - OnlineSktDict
रणकर्कश
(raNakarkasha)
Skt: रणकर्कश
(raNakarkasha) - the vanquishing one in the war - OnlineSktDict
रणरंगधीरम्
(raNara.ngadhiiram.h)
Skt:
रणरंगधीरम्
(raNara.ngadhiiram.h) - the brave in the stage of war - OnlineSktDict
रणात् (raNaat.h)
Skt: रणात्
(raNaat.h) - from the battlefield - OnlineSktDict
रणे (raNe)
Skt: रणे (raNe) - on the battlefield
- OnlineSktDict
{ra.ta.} रत
रत (rata)
Skt: रत (rata) - engaged in - OnlineSktDict
रताः (rataaH)
Skt: रताः (rataaH)
- engaged - OnlineSktDict
रतिओ (ratio)
: Note: Do not pronounce as <ratio>
= र त ि ओ . It is <ra'ti'o>
Skt: रतिओ
(ratio) - guNottara - OnlineSktDict
{rϋt~}
रत्
रत्न (ratna)
= र त ् न
Skt: रत्न
(ratna) - precious stones - OnlineSktDict
रथ (ratha)
= र थ
Skt: रथ (ratha) - chariot - OnlineSktDict
Pal: ratha - m. a car, carriage, chariot - UPMT-PED179
रथं (rathaM)
Skt: रथं
(rathaM) - the chariot - OnlineSktDict
रथोत्तमं
(rathottamaM)
Skt:
रथोत्तमं
(rathottamaM) - the finest chariot - OnlineSktDict
रथ्या (rathyaa)
Skt: रथ्या
(rathyaa) - ? - OnlineSktDict
रदं (radaM)
Skt: रदं (radaM) - ? - OnlineSktDict
रन्ध्रिका
(randhrikaa)
Skt:
रन्ध्रिका
(randhrikaa) - (f) punching machine - OnlineSktDict
रभते (rabhate)
Skt: रभते
(rabhate) - ( 1 ap ) to begin, start - OnlineSktDict
रमंते (rama.nte)
Skt: रमंते
(rama.nte) - revel; enjoy (Vr. Pr. III P PI.AP)
- OnlineSktDict
रमते (ramate)
Skt: रमते
(ramate) - delights - OnlineSktDict
रमन्ति (ramanti)
Skt: रमन्ति
(ramanti) - enjoy transcendental bliss - OnlineSktDict
रमावास
(ramaavaasa)
Skt: रमावास
(ramaavaasa) - the abode of rama (lakshmi) - OnlineSktDict
रमे (rame)
Skt: रमे
(rame) - Oh! ramA (Shiva tells this shloka to his consort PArvati -
OnlineSktDict
रमेशं (rameshaM)
Skt: रमेशं
(rameshaM) - the lord of ramA (sItA) - OnlineSktDict
रम्भाफल
(rambhaaphala)
Skt:
रम्भाफल
(rambhaaphala) - plantain - OnlineSktDict
ररिजन
(rarijana)
Skt:
ररिजन
(rarijana) - Entourage - OnlineSktDict
रवि
(ravi)
Skt:
रवि
(ravi) - a name of Sun - OnlineSktDict
रविः (raviH)
Skt: रविः
(raviH) - the sun - OnlineSktDict
रविवार (ravivaara)
Skt: रविवार
(ravivaara) - Sunday - OnlineSktDict
{ra.ώa.} रस
रस (rasa)
Skt: रस (rasa) - enjoyment, interest
- OnlineSktDict
Pal: rasa - m. sap, juice, essence, taste - UPMT-PED179
रसः (rasaH)
Skt: रसः (rasaH) - sense of enjoyment
- OnlineSktDict
रसनं (rasanaM)
Skt: रसनं (rasanaM)
- tongue - OnlineSktDict
रसवर्जं
(rasavarjaM)
Skt: रसवर्जं
(rasavarjaM) - giving up the taste - OnlineSktDict
रसात्मकः
(rasaatmakaH)
Skt: रसात्मकः
(rasaatmakaH) - supplying the juice - OnlineSktDict
रसायनं (rasaayanaM)
Skt: रसायनं
(rasaayanaM) - (n) chemical - OnlineSktDict
रसायनशास्त्र
(rasaayanashaastra)
Skt:
रसायनशास्त्र
(rasaayanashaastra) - chemistry - OnlineSktDict
रसायनशास्त्रम्
(rasaayanashaastram.h)
Skt: रसायनशास्त्रम्
(rasaayanashaastram.h) - chemistry - OnlineSktDict
€ रसायनिक शामयिता
rasāyanika
śāmayitā
Skt: रसायनिक शामयिता
rasāyanika
śāmayitā m.
fire extinguisher - SpkSkt
रसाल (rasaala)
Skt: रसाल (rasaala) - mango
- OnlineSktDict
*Pal: rasāla - m. sugar-cane - UPMT-PED179
{rϋώ~}
र स ्
रस्याः (rasyaaH)
= र स ् य ा ः
Skt: रस्याः
(rasyaaH) - juicy - OnlineSktDict
{ra.ha.}
रह
रहसि (rahasi)
Skt: रहसि
(rahasi) - in a secluded place - OnlineSktDict
रहस्यं (rahasyaM)
Skt: रहस्यं
(rahasyaM) - mystery - OnlineSktDict
रक्ष् (rakSh.h)
= र क ् ष ्
Skt: रक्ष्
(rakSh.h) - to protect - OnlineSktDict
रक्षः (rakShaH)
Skt: रक्षः
(rakShaH) - the rAkshasaas - OnlineSktDict
€ रक्षस् rakṣas
= र क ् ष स ्
Skt: रक्षस् rakṣas -
n. harm, evil being - SpkSkt
€ राक्षस
rākṣasa
= र ा क ् ष स
Skt: राक्षस
rākṣasa - adj. demonical. m. demon
- SpkSkt
रक्षकः
(rakShakaH)
Skt: रक्षकः
(rakShakaH) - (m) guard, protector - OnlineSktDict
रक्षण (rakShaNa)
Skt: रक्षण
(rakShaNa) - protection - OnlineSktDict
रक्षणाय
(rakShaNaaya)
Skt:
रक्षणाय
(rakShaNaaya) - for protection - OnlineSktDict
रक्षति (rakShati)
Skt:
रक्षति
(rakShati) - (1 pp) to protect - OnlineSktDict
Pal: rakkhati - v. to protect, ward off, guard - UPMT-PED177
रक्षस (rakShasa)
Skt: रक्षस
(rakShasa) - adj. devil - OnlineSktDict
{rak~Sa} र क ् ष ा
रक्षा (rakShaa)
= र क ् ष ा
Skt: रक्षा
(rakShaa) protection - OnlineSktDict
*Pal: rakkhati - v. to protect, ward off, guard - UPMT-PED177
Pal:
{rak~hka} -
-
UHS-PMD0804
रक्षां (rakShaaM)
Skt: रक्षां
(rakShaaM) - protecting armour - OnlineSktDict
UKT: In the example below, notice the रा = र ा .
So the analysis could be राक्ष rākṣa = र ा क ् ष : No splitting of क्ष : राक्ष --> र ा क ् ष --> रा क्ष
(giving rise to Romabama{raa-kSa.} with a
{sa.hswθ:}).
Splitting of क्ष : राक्ष --> र ा क ् ष --> राक् ष
(giving rise to Romabama {raak-Sa.}€ राक्ष rākṣa
= र ा क ् ष
Skt: राक्ष rākṣa m. demon - SpkSkt
Pal: rakkhasa - m. a demon, ogre - UPMT-PED177
Pal:{rak~hka.ώa.} -
- UHS-PMD0804
See my note on Bilu
रक्षांसि
(rakShaa.nsi)
Skt: रक्षांसि
(rakShaa.nsi) - the demons - OnlineSktDict
रक्षितं
(rakShitaM)
Skt: रक्षितं
(rakShitaM) - the person who has been protected (by)
- OnlineSktDict
रक्षितः
(rakShitaH)
Skt:
रक्षितः
(rakShitaH) - (past part.masc.nom.S) the protected one
- OnlineSktDict
रक्ष्य (rakShya)
Skt: रक्ष्य
(rakShya) - protection - OnlineSktDict
UKT- 110916
Since, it is human to demonize their enemies, I am re-interpreting the word
<demon> as nothing but a derogatory term by the 'victors' to describe their
enemies. In Bur-Myan iconography there are two types of
{Bi-lu:} :
€
{nϋt-Bi-lu} 'deva-demon' whose weapon is the double-edged sword. They wear a pointed helmet-crown similar to those worn by Deva
{dι-wa.} '
{nϋt}'. They do not eat human flesh, and some are very advanced spiritually. It is quite common for an adapt of the Right-Hand-school aka
{a.htak-lϋm:} to control a
{Bo:tau} 'grand-sire', to counter the influence of the other type of
€
{ka.toδn: Bi-lu:} 'bald-head ogre' whose main weapon is the cudgel and who are flesh-eaters. They eat humans. They can be made to work for the human adapt (man or woman) of the Left-Hand-school aka
{auk-lϋm:}. It is very simple to 'rear' them: by planting a suitable ground orchid or common lemon grass over an
{ing:} representing the
It was rather common for farmers to keep a Bilu guarding their fields. Even shop
owners can keep Bilus to bring in customers. The
{auk-lϋm: hsa.ra} who I came to
know died a long time ago, and my search for another to observe him/her first
hand is still without success, simply because such a person would never admit
that he is a
{auk-lϋm: hsa.ra}.
He would always claim that he is an astrologer of the
{a.htak-lϋm:}. You have to watch him closely to follow his steps. But once
he detects that you are watching his steps and not afraid of
{auk-lϋm:}
he would find a polite way to show you the door. I must warn the adventurous not
to get involved with such persons - not because they are cheats (they are
genuine adapts), but you can easily become controlled by them and if you were to
rebel you could not be saved by modern western medicine. If you would like to
pursue more, please read Maurice Collis Trials in Burma, or, Dr. Htin
Aung (former rector of Rangoon University) Folk Elements in Burmese Buddhism
. No wonder the ancients Indians (of Mahabharata) or the ancient Chinese
(including those of Kublai Khan) were afraid to stay in Burma for long
particularly in the Yaw area or Shan plateau if you had evil intentions towards
the locals.
Go back Bilu-note-b
From Wikipedia: http://en.wikipedia.org/wiki/Raghu 100127
Emperor Raghu was a valorous king of the Ikshvaku dynasty. The name in Sanskrit translates to the fast one, deriving from Raghu's chariot driving abilities. So celebrated were the exploits of Raghu, that his dynasty itself came to be known as the Raghuvamsha or the Raghukula after him. The history of his dynasty is elaborated upon by Kalidasa in his Raghuvamsha. The lineage described in the Raghuvamsha goes thus Dilipa was the father of Raghu, who was the father of Aja, who was the father of Dasaratha, who was the father of Rama.
The warrior Raghu leads a military expedition to Transoxiana. He defeats and subjugates local peoples along the way (presumably on his march through Central Asia) until he reaches the Vankshu or Caksu, the Vedic/Puranic names of the Oxus River. There, Raghu's army battles the Hepthalites, or White Huns, whom the Indians called Hunas and Mlecchas (barbarians). The Hepthalites are defeated, and the Raghuvamsha boasts of "The exploits of Raghu, whose valor expressed itself amongst the husbands of the Huna women, became manifest in the scarlet color of their cheeks."
Raghu was a great donor. It is said that no one returns from his palace empty-handed.
After crossing the Oxus, Raghu and his army encountered the Kambojas, an ancient Iranian people often mentioned in Indian texts. The Kambojas submitted to Raghu and offered him gifts and treasures. Evidently, the Kambojas dwelt in the vicinity of the Pamirs. Kalidasa describes the preponderance of walnut trees in the Oxus country and indeed, this particular region is still known for the cultivation of walnuts.
Raghu's father Dilip was a very pious king, and performed as many as 100 yagnas or sacrificial rituals. Until he did so, only Indra, king of the Gods, had earned that distinction. In a bid to prevent Dileepa from equaling his record, Indra placed many hurdles in the path of the successful completion of the 100th sacrifice, but Raghu was able to prevail over the forces of Indra himself, and the sacrifice was completed successfully.
Raghu is best known today as the great-grandfather of Rama. There are indications that in the classical period, Raghu was a heroic personality of far greater importance that what one would imagine today. The epic composed by the classical poet Kalidasa on the lives of the ancestors of Rama is entitled Raghuvamsha or the "Dynasty of Raghu". Indeed, Rama himself is known by many appellations (such as Raghava, Raghunandan and Raghukula Nayaka), indicative of his belonging to the family of Raghu, which again serves to underscore the great prestige enjoyed by Raghu in the puranic era.
Go back Raghu-note-b
From Wikipedia: http://en.wikipedia.org/wiki/Rangoli 110324
Rangoli
is a traditional decorative folk art of India. They are decorative designs on
floors of living rooms and courtyards during
Hindu festivals and are meant as sacred welcoming area for the
deities.[1]
The ancient symbols have been passed on through the ages, from each generation
to the one that followed, thus keeping both the art form and the tradition
alive. Rangoli and similar practices are followed in different Indian states; in
Tamil Nadu, one has Kolam
[2], Madanae in Rajasthan, Chowkpurna in
Northern India, Alpana in Bengal, in Bihar it is called Aripana, and so on. The
purpose of Rangoli is decoration and it is thought to bring good luck.
Design-depictions may also vary as they reflect traditions, folklore and
practices that are unique to each area. It is traditionally done by women. Over
the years, tradition has even made room for modern additions, that add some
flair to this beautiful art. Generally, this practice is showcased during
occasions such as festivals, auspicious observances, celebrations of marriages
and other similar milestones and gatherings. Rangoli designs can be as simple as
geometric shapes, deity impressions, flower and petal shapes that are
appropriate to the given celebrations, but can become very elaborate with many
people coming together to work on the designs. The base material is usually dry
or wet granulated rice or dry flour, to which
Sindoor (vermillion),
Haldi (tumeric)
and other natural colours can be added. Chemical colours are a modern variation.
Other materials that are now used are coloured sand and even flowers and petals
as in the case of Flower Rangolis.
UKT: Were the Buddha footprints a form of rangoli to mark the place where the Gautama Buddha had visited? - UKT110324
Alpana is one name of rangoli. Mohen-jo-daro and Harappa also had Alpana. Vatsyayan Alpana's work - the formula is described in Chausst arts (The most ancient folk art). The word 'Alpana' is derived from the Sanskrit 'Oalanpeen' ; Oalanpeen means to plaster. In ancient times people believed that these funds artistic painting the town and villages - are able to contain cereal is full of magical effects and reserve assets. This approach was Alpana art practiced on religious and social occasions. Many fast or worship, which is given the Alpana, Aryan is the era before. Swami Anand Kumar, who are called scholars of Indian art, modern folk art of Bengal's view that the direct link is from 5000 years ago the art of Mohen-jo-daro. Waratchari movement and Bangla folk art and culture scholar Gurushay generator according to Dutt, the lotus flower Bengali women make between their Alpanooan, at Mohenjo-daro of the lotus flower is a replica. Some other scholars are of the opinion that Alpana Astrik people in our culture, such as shaved species come from, which in this country many years before the arrival of Aryans were living. According to the ancient and traditional folk arts of Bangladesh's agricultural era standing. At that time some people believe that gods and had some magical effects, which in practice would have been a good harvest and Priatatmaaey had run away.[2] of Alpana Inspired by these traditional Aleknoan Acharya Awneendranath Tagore Santiniketan art building with other subjects of painting - this art also made a compulsory subject. Today this art are known as Alpana of Santiniketan. The blonde goddess in art will enjoy the memorable name of the mother are considered Alpana Santiniketan
UKT: More in Wikipedia article.
Go back rangoli-note-b
End of TIL file